张(🔸)秀娥揉了揉额角，千回百转的(de )念了(le )一句：宁安。

导演认(😴)识了两位“朋友”。他与(yǔ )他们之间的交往构成了这(🎆)部片子。开始，他并没有一个明确的计划要制作一部纪(jì )录片，但随(suí )着时间的推移(👷)，他开始有目的和他们交“朋友”。“朋友”们奇迹般地允许导演进入他们的生活，他们吸(🥗)毒也(🐷)贩毒(⛳)的生活。　　纪录片的(🎙)制作者和被拍者(zhě )之间到底应该是一种什么样的关系，这(🥟)部影片给出了它的解释(shì )。

This film has no IMDB listing and Wikipedia confuses it with a different movie. It’s Vytautas Zalakevicius’s last directorial effort, based on Yevgeny Zamyatin’s story The Flood. The original was a horrid, intense tale of post-revolutionary Russia. The director said he tried to preserve Zamyatin’s worldview though his film is set in a nameless town in some unidentified time period. A stark, relentless drama, it’s strongly reminiscent of Scandinavian cinema, with its cold daylight, dark interiors and the pervasive sense of guilt. A childless couple, Sofia and Trofim, take in an orphaned girl, Agafia. In a few years, she turns into a seductive young woman and Trofim neglects his wife to pursue an illicit affair with his adopted daughter. The lovers carry on openly and shamelessly, not paying attention to Sofia’s quiet presence until she finally cracks…

孟行悠心里暖洋洋(💋)的，手指(💟)在键盘上戳了两下，给他回过(🥖)去。

慕浅来到霍老爷子(⬇)床边的时候，老爷子眼神还没什么焦点(diǎn )，直至看到她，那双眼睛(jī(🛳)ng )才渐渐聚了(le )焦(🏷)。

陆沅忍不住扭(🚂)(niǔ )头看向她，咬(🏚)牙道：慕浅！

之前的时(shí )候，他或许还可以抱有(yǒu )侥幸心理，有的时候会(huì )觉得得(dé )罪了张秀娥也未必有什么事儿

大电影制片厂(chǎng )即将步入黄昏时代之际(jì )，在某电影厂担任副导演的(🥊)(de )青年健司（坂口健太郎 饰）经(🎠)历了人生刻骨铭心的邂逅。此前他在某座电影院内发现一卷被废弃的胶片，胶片中的电(diàn )影(😨)(yǐng )女(🌤)(nǚ )主(😇)角男人头公主（绫濑遥 饰）(🚍)令他神魂颠倒，痴迷非(😰)常(🎇)。当得知这卷胶片即将卖给他人时，健司无比怅然。最后一次的放映过程中，令人意(yì )想不(bú )到(🏵)的事情...

爸爸。景厘连忙拦住他，说，我叫他过来就是了，他不会介(😷)意吃外卖的，绝对不会。