不像其他比赛一样(yàng )抽(🚛)签决定(🕓)对手，而是车轮战。

嘉莉（安吉拉·贝(bèi )蒂斯 Angela Bettis 饰）是个在学校里地位低微的学(🗜)(xué )生，她自卑(💿)(bēi )内向，是其他同学的欺负对象。造成这样的局面，嘉莉的(🗄)母亲恐怕难辞其咎——她醉心于宗教世界，把生下嘉莉看成是(🤵)深重的罪孽。在嘉莉青春萌动的年纪，母亲却对她(🤡)进行禁欲教育，把男女关系看成是洪水猛 兽。扭(🏦)曲的家庭让嘉(jiā )莉深(🗜)深(shēn )地压抑着自己的内心，一旦遇到爆发的当口，将一发不(bú )可收拾。果然，在舞会上被同(👔)学恨恨捉弄了(🎲)一番的嘉(jiā )莉，看着自己满身(🗺)沾满猪血，她怒(📜)火中烧，再也不忍(rěn )受这些奇耻之辱，大开杀戒的日子到了(🍘)。

没一会(🔣)儿，报靶员就(🎢)抱着顾潇潇打的靶子递(dì )给蒋少勋。

所以，这一次也只能眼睁睁看着他们几家卖兔子，顶得上(shàng )普通年景一两年的收成了。

Sara's dream of finding the perfect mate is realized when boyfriend Daniel proposes marriage, but there is one tiny hitch. It turns out he is the real-life prince of a small European monarchy, and his marriage requires the approval of his royal parents.

雨翔不敢再说下去，怕钱荣(🎗)又躲在外文里骂他，和谢景渊(♉)说话：你在看什么书？

小镇上的三子有个沉闷(🚽)的家庭，他暗恋上(shàng )打字(zì )复印店(Ⓜ)的女孩。女孩进城打(dǎ )工了，他讲(jiǎ(🆑)ng )述自(zì )己痛苦的爱情，感动(🤺)了(le )给老板开宝马的发小马海，决定趁老板外出开车带他进城......

此(cǐ )时(shí )大家也热闹也看的差不多了(🤓)，在张家就(🌶)越待(dài )越难受，只想着早点回去。

Devaki [Suman Ranganathan] is forced into marriage to a 70 year old man. On the night of the marriage, she is raped by the brother of the impotent old man in order to establish the age-old practice of physical dominance of the male over the female. In protest to the feudal practices, Nandini [Perizaad Zorabian], the urban girl, who has come to the village to work as the NGO activist, quits her job and comes back to the city. Soon, Nandini finds out that the urban life is no different. Economically betrayed and physically used by her lover, Nandini joins an advertising agency. But she is shocked to find out that her father, who had deserted the family many years ago, owns the agency. The father comes up with the proposal for Nandini to sleep with one of the clients in order to procure a business deal. Meanwhile, Devaki develops a relation with a low caste runaway boy. But the villagers catch them in the act of love-making. They are produced before the Panchayat. Devaki is made to stand holding a heavy stone on her head. The villagers and the Panchayat decide to auction Devaki to the highest bidder and pay the money to the 70-year-old husband. Once again, another old man buys her. Meanwhile, Nandini decides to sell herself to the old client, as a revenge on her father. Devaki takes a look at the lives of two women, belonging to strikingly different backgrounds.