The residents of a soon to be demolished building have set up a temporary autonomous zone to declare war on a world where utopia and poetry have gone astray. They are a kind of Situationist urban guerilla, spending their days creating havoc at both a material and immaterial level. They recite, declare, discuss, perform and console. A woman is kidnapped, close combat is mimed, pubic hair formed into a mustache. Many of their joyfully nonsensical actions go round in circles, a sign already of their ironic self-reflection: When it comes down to it, they are merely an aesthetic imitation of the slogans, gestures and postures of ʼ60s and ʼ70s political and artistic practice. Ultimately, the residents announce the end of their own avant-garde movement and abandon their building to demolition.

聂(🌤)凤琳的唇角微微一勾：到时候那如夫人自然(💠)可以推脱成是你这小丫鬟不懂事(👦)儿，她自然是没什么事情的，只是你就要可怜了(le )，到最后没准就和那(🤲)春玉一(yī )样，落不了一个好结果(guǒ )。

美国(guó )有超人(🐪)、(🔃)蝙蝠侠、蜘蛛侠，但印度有(yǒu )——护垫侠！阿克谢·库马尔主演，根据Twinkle Khanna所著传记《The Legend Of Lakshmi Prasad》改编，原型是(🚈)印度企业家Arunachalam Muruganantham，他发明了(le )低成本的(🚸)卫生(shēng )巾生产机(jī )，为印度农村(cūn )的经期卫生观念带来...

《爱情开始的地方之遇见(jiàn )》通过(guò )讲述4对普通青年(nián )男女在爱(👣)情中学习、摸索，最后收获(huò )成(chéng )长的故事，愉快(kuài )呈现当下(🎸)青年男女各异又通达的爱情观。

容恒听了，竟险些脱口而出——那天晚上，也不疼么？(🈯)

聂远乔(💨)听(🌯)到这淡淡的说道：秀娥(👣)是乡下丫头没错，不过你也(🎨)不是什么名门闺秀，你都可以管家，为何(⤴)秀娥不可以(yǐ )？

其它的丧尸，很自(zì )觉的绕(rà(✖)o )过它，向着活着的人奔(bē(🍂)n )过去。

本片为苏联电影理论家兼导演爱森斯坦的处女作，用六个章节(jiē )展示了一场(🔼)罢(bà )工运动的始末。　　繁忙的工厂里，工人们埋头工作。布尔什维克党在地下积极组织工人罢工，但表面上仍然一片平静……工厂里的一把工具失窃，当值工人被厂主调查侮(wǔ(🍼) )辱，气忿不过的(de )工人回到车间，上吊(💦)自杀。工(♓)人们与厂主爆发了冲突，工人冲出工厂，打倒工头...

The bohemian revolutionary, Maud Gonne, and visionary poet, WB Yeats, find themselves in a mother-daughter triangle of romance, set against the backdrop of the Great War and modernist art scene.